Jump Jack Jump Wynona Carr

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About Sister Wynona CarrClassic R&B-rooted Gospel that will move anyone with a pulse - whatever your religious inclinations. A magnetic singer and songwriter from Cleveland, Ohio, Carr also successfully crossed over into the secular world in 1955 during the second half of her stay with the Specialty label. Whether she was singing 'Dragnet for Jesus' or 'Ding Dong Daddy,' the same quality shone through: a charming, slightly grainy voice capable of soulful power on up-tempo numbers and nuanced detail on slower ones. Her piano/upright bass/drums rhthym sections met the rockin' standards you'd expect from a label that recorded Little Richard, Lloyd Price, and Louis Jordan, and she was usually joined by a honking sax and a small cast of crooning background vocalists.
Add to this lineup some memorable yet relatively unknown songs, and you have a formula for timeless music - and one on which she consistently delivered.Will York. Classic R&B-rooted Gospel that will move anyone with a pulse - whatever your religious inclinations. A magnetic singer and songwriter from Cleveland, Ohio, Carr also successfully crossed over into the secular world in 1955 during the second half of her stay with the Specialty label. Whether she was singing 'Dragnet for Jesus' or 'Ding Dong Daddy,' the same quality shone through: a charming, slightly grainy voice capable of soulful power on up-tempo numbers and nuanced detail on slower ones. Her piano/upright bass/drums rhthym sections met the rockin' standards you'd expect from a label that recorded Little Richard, Lloyd Price, and Louis Jordan, and she was usually joined by a honking sax and a small cast of crooning background vocalists. Add to this lineup some memorable yet relatively unknown songs, and you have a formula for timeless music - and one on which she consistently delivered.
Classic R&B-rooted Gospel that will move anyone with a pulse - whatever your religious inclinations. A magnetic singer and songwriter from Cleveland, Ohio, Carr also successfully crossed over into the secular world in 1955 during the second half of her stay with the Specialty label. Whether she was singing 'Dragnet for Jesus' or 'Ding Dong Daddy,' the same quality shone through: a charming, slightly grainy voice capable of soulful power on up-tempo numbers and nuanced detail on slower ones. Her piano/upright bass/drums rhthym sections met the rockin' standards you'd expect from a label that recorded Little Richard, Lloyd Price, and Louis Jordan, and she was usually joined by a honking sax and a small cast of crooning background vocalists. Add to this lineup some memorable yet relatively unknown songs, and you have a formula for timeless music - and one on which she consistently delivered. About Sister Wynona CarrClassic R&B-rooted Gospel that will move anyone with a pulse - whatever your religious inclinations.
A magnetic singer and songwriter from Cleveland, Ohio, Carr also successfully crossed over into the secular world in 1955 during the second half of her stay with the Specialty label. Whether she was singing 'Dragnet for Jesus' or 'Ding Dong Daddy,' the same quality shone through: a charming, slightly grainy voice capable of soulful power on up-tempo numbers and nuanced detail on slower ones. Her piano/upright bass/drums rhthym sections met the rockin' standards you'd expect from a label that recorded Little Richard, Lloyd Price, and Louis Jordan, and she was usually joined by a honking sax and a small cast of crooning background vocalists.
Add to this lineup some memorable yet relatively unknown songs, and you have a formula for timeless music - and one on which she consistently delivered.Will York.
This 24-track set covers Carr's R&B tunes, with many unissued but fine selections such as 'If These Walls Could Speak,' 'Finders Keepers,' and 'Weather Man' finally getting out of the vault. The CD also includes her trademark upbeat, sassy songs, 'Jump Jack Jump,' 'Boppity Bop (Boogity Boop),' 'Ding Dong Daddy,' and 'Nursery Rhyme Rock.' Thematic variety wasn't her label's strong suit when it came to material, and they might have done better with more numbers like 'Please Mr.

Jailer' and 'It's Raining Outside,' and a few less boogies and jump pieces. Ron Wynn Rovi.